Almost every
Sunday I go to an old small temple opposite the big modern Hare Krishna Temple
in Juhu. I leave early in the morning when the streets are dotted with sleeping
dogs, sleeping men and children. At the end of the street a peacock is already
up and standing on the gate of a bungalow. He is hungry but quiet, hasn’t
opened its tail yet, looking towards the market for people to bring him some
food.
The market between
me and the temple is just waking up, little kittens prod little orange flowers
left over from yesterday, the vegetable sellers are examining their faded green
cucumbers and yellow tomatoes deciding how to arrange them on their stall today.
The bindi shop is not open yet, the glass bangle stall owner-the bindi man’s
sister in law is looking for the key in the waves of her sari. The street misty with smells of sweet incense
offerings.
The temple is easily found, Shiva is sitting
on the temple roof with a crescent moon on his head and real water sprouting
out of his matted hair. I go in under two black elephants and in a small basket
I collect a coconut, two small bananas, a couple of white long stemmed buds, a
cracked beetle nut. I go in the temple with the basket; there is a bell
dangling from the ceiling- a sign in Hindu next to it and a young man sitting
on the floor with his prayer books and oil cups. Last week he stamped red
powder on my forehead, this week he smiles at me. The first god I go to is the Monkey God. Hannuman with
his human body and monkey tail, palms together stands gazing calmly at me
putting my basket on the mantelpiece.
The next windowless
room has a coiled metal cobra right in the middle. The mural on the wall
shows everybody immortal. Shiva is there, his wife, their human formed child
and elephant headed one, the little mouse, the monkey god, they are all there,
sitting by a big mountain, very happy, very content with us mortals down below.
There is a sign on the wall to remind devotees to pray for themselves and not
to send their maids or drivers to do it for them. A quiet recording of
‘Om Namas Shivaya’ repeats in the air. Then I visit other figures of serene
faced, smiling, bright eyes colossally kajaled, lovingly decorated gods. I put
little flowers on their toes, look at their comfortable and confident smiles,
earrings, necklaces and little shiny cloaks over their heads. A big, jet black
cow sits facing the cobra, garlanded with orange flowers.
Outside a tree as
old as our families reclines to one side. Seven times it needs to be circumnavigated,
I cling to the little basket of coconut and bananas, tiny little ants and flies
join the walk with me. Next to the tree little sacred Tulsi plant waits
for its turn to be watered. Dizzy
with the journey around the tree my small cup of water goes allover the plant.
Then it is over; I
transfer my little basket of goods to a small bag. I touch the bell hesitantly and
it gives out a lively brass sound promising other bells to be rung, other temples
to be visited. The young man on the floor puts another red dot between my
eyebrows and reveals the secret message by the bell*. I find my shoes and leave
the small temple to a bus full of people with yellow powder on their
forehead. It is getting busy.
There is a long, hot
and crowded market to go through. I walk purposefully swinging my little white
plastic bag full of hope, coconut, and two little bananas. Until next Sunday.
*I assumed it said something
like ‘Don’t touch the bell if you are not a believer’ or ‘ Ring only at sunset’
or ‘5 times after the prayer’. I asked what it meant.
It reads
‘turn your mobile off’.
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